Archives for posts with tag: Jorge Louis Borges

Three Versions of Judas, 2, Berriedale, Orkney, March, 1984. (printed 1984). Platinum-palladium print on 100% cellulose (Van Gelder simili japon) from original 18×24 cm negative.

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Three Versions of Judas, 2, Berriedale, Orkney, March, 1984. (printed 1984). Platinum-palladium print on 100% cellulose (Van Gelder simili japon) from original 18×24 cm negative.

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Three Versions of Judas, 1, Berriedale, Orkney, March, 1984. (printed 1984). Platinum-palladium print on 100% cellulose (Van Gelder simili japon) from original 18×24 cm negative.

Borges was an oracular historian.  When I read his short story, Three Versions of Judas, my understanding of time (not linear) and perspective (not just visual, and not just from one, two or three points of view) began to drop into another realm. During the same period of making these photographs, the story helped me ‘enter’ the platinum-palladium printing process in a way I had not achieved till then, and to break out of the language of black and white silver gelatin printing. This print, and the two related versions of Judas coming up, brought everything together for me: Zen and Borges, animated objects in front of the lens, images with their own center of gravity, dimensionality in the print that was free of tonal extremes, and recognizing the singular vernacular of platinum/palladium prints.

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