Tag: siberia

Prayer and Despair Folio update

Elephant, Kutch
India, 1995. Platinum-palladium print from 8×10 negative

Prayer and Despair [view folio] : I have just updated a body of work done while traveling across Russia, Siberia, Honduras, India and Japan during 1995. A handful of images have yet to be added from Russia and Siberia. A short statement from that time, which was written towards the end of the year of traveling, reads:

India, November, 1995. It is midweek, and there are priests, pilgrims and worshippers milling around us. Religion does not abide by the seven day cycle here. My parents are unusually quiet as we stand amid the bustle, gazing out at a tiered stretch of river. Damodarkund. They explain that this is where the ashes of my ancestors have been released over the centuries, into the still waters, along with flowers, prayers, tears, memories. Like smoke. I feel a lightness, something lifting. This is where I came from, this is where I am going. My hand is in the water, a conduit  and a key…

…Acceptance of anything can bring despair, and anything unbearable can inspire prayer. Kneeling down on the river bank, my hand in the clear water, I felt both.

All the images are platinum-palladium prints made from the original 8×10 negatives.

wishing gentleness to Gustav

3000673_CloudsTreeTrunks.jpg
Deer fence. Near Irkutsk, Siberia.
1995
platinum-palladium print, 8 x 10 in

moonrise, lake baikal

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moonrise, Lake Baikal, Siberia.
from series, ‘Prayer and Despair
1995.
platinum-palladium print, 8×10 in.
My friend Chris Bucklow, in a discussion (What’s in the Dwat) of Phillip Guston’s work, considers the use of rising suns as a symbolization of polarization and dichotomy. Multiple suns, moons, selves; multiplicity. Even Salman Rushdie, in his new book, The Enchantress of Florence, puts the reader into Akbar The Great’s mind as he struggles with these multiple selves. I wonder at the frequency with which multiplicity appears in any handling of the larger (existential, dare I say it) questions about our being. Is it possible that through this ‘prismatizing’, of separating out into a multitude of channels of a conjoined experience, we are perhaps giving ourselves an indication that ‘mind’ itself is a formulation, a meta-symbol of symbols? Borges’ Library of Babel is another indication of this.

traveling with mark

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wood. sky. near lake baikal. 1995
platinum-palladium print, 8×10 inches.
This image was made in one of the most ‘natural’ spots on this planet that I have ever been to. And yet, what I formed my thoughts around is the result of death and decay, and ultimately, rejuvenation. Photographically, this image is not at all manipulated. Conceptually and emotionally, it is, as they say in Battlestar-speak, frakked! Not dust to dust and ashes to ashes, but wood to sky, water to ashes. I made it while traveling through Siberia with my friend and colleague Mark Preslar.
This photograph is part of the ‘Prayer and Despair‘ series from 1994-95. It will be included in the sequence from Siberia that I intend to post in a week or so.

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