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Pradip Malde

photographs

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  • Platinotype
    • Conservation: Residual Iron Removal
    • Data sheet
    • Description: Platinotype, Getty Museum
    • Demonstration, National Gallery of Art
    • Errata
    • Hydration Chamber, How to Build
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    • Scanning Platinum/Palladium Prints
    • Step Wedge
    • Translucent (‘vellum’) papers
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    • Cyanotype Printing
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    • Texts about Pradip Malde
  • Split-tone Bowl

    Split-tone Bowl

    Archie Stapleton’s Split-tone bowl, December 2019

    Pradip Malde

    December 18, 2019
    moving in darkness
  • Black Bowl 2

    Black Bowl 2

    Archie Stapleton’s Black Bowl 2, Sewanee, 2019

    Pradip Malde

    November 30, 2019
    moving in darkness
  • Bowl

    Bowl

    Archie Stapleton’s Bowl, very light celadon, Sewanee, 2019.digital capture Sometimes a reverse hibernation takes place. Pellmell, Summer-long daylight hours suck away the darker, quieter joy of just looking, being still, enjoying the things that gather light and treasure it. Time to return to this, to protecting fragility: that it takes watchfulness and wisdom to bring […]

    Pradip Malde

    November 17, 2019
    moving in darkness
  • Style and the Imagination

    Style and the Imagination

    Kiran October 12, 2019 I was asked about my photographic style, and it was hard to resist a Yoda-style syntactical variation. I could feel the words pushing themselves out of my mouth. “Find you, it will. Seek it not, for there, the path is, to the dark side.” Yet this question was coming from a […]

    Pradip Malde

    October 13, 2019
    portraits
  • Open Call for platinum/palladium prints

    Open Call for platinum/palladium prints

    Mesh Acacia Tortilis, Lake Manyara National Park, Tanzania, 2018.Platinum-palladium print (1:1) on Reich vellum paperfrom 8×10 inch negative original We are pushed up by the same force that pushes us down. The things that hide from us also hide us. What obscures the light also hides the dark from ourselves, from ourselves. But wait, there, […]

    Pradip Malde

    September 9, 2019
    news
  • Kigundu 3

    Kigundu 3, front A hand-forged cutting tool that has been passed down several generations, Dodoma, Tanzania, 2017. Scan of a Platinum-palladium print on Reich CT48 Translucent paper, from an 8×10 inch negative Printed 2018 10″x8″ This is the nineteenth image in ‘From Where Loss Comes’, a photographic series about female genital cutting and sacrifice. The […]

    Pradip Malde

    June 12, 2019
    From Where Loss Comes, Scans from Prints
    8×10 negative, FGM/C, loss, platinum-palladium print, process, still life, Tanzania
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