Mike Ware, Madison County, VA. 2014, platinum-palladium (1:1) print on Arches Platine from a digital negative. Printed 2018. 25x20cm Last November, 2017, I posted about a platinum-palladium print that made from a digital capture rendered as a PiezoDN ...
Mike Ware with Evaporation Basin. South Ronaldsay, Orkney. 1984. from an 8×10 inch negative. Continuing with an infatuation to draw connections between my portrait work and the extraordinary panel paintings from Fayum, I look back to this photograph ...
From Pradip Malde & Mike Ware We are pleased to announce an exciting newly-invented iron-based printing process, which we are today offering to the alternative photographic process community. It makes use of the recent scientific discovery that ...
Luca. Brassai-eye. Polaroid. 2008 Please let this be true – the Polaroid factory in the Netherlands is going back into production! [Thanks Bjorn!]
Floating Stone (from series, Memory Balance Love) 1989 platinum-palladium print, 8×10 in The same mental types as those who broke into hives and weeping fits at the onset of solar eclipses centuries ago, and as those who crowed disaster with the ...
chris bucklow. (wave. particle.) 2008 platinum-palladium print, 8×10 in
My friend Stephen Alvarez has started a wonderful photo blog. Consistently making heartfelt work for National Geographic and other notable publications, Stephen is now posting images almost daily with an accompanying commentary. Additionally, another ...
Debra Swack’s Animal Patterning Project considers the implications and motivations of genetically modification for aesthetic purposes. In this case, Swack ‘explores the concept of genetically altering the patterning of animal skins to make ...
I’ve been thinking about Steven Johnson’s book, Emergence: The Connected Lives of Ants, Brains, Cities, and Software – and this interview which sums up some of his ideas. Street in Eatonton, GA. While on my way to to give a talk at GCSU
Sewanee Alum and long-lost friend Curt Cloninger has put up a fascinating project on the web. His ‘Emily Dickinson Difference Engine‘ layers visual data with text data (Dickinson’s poetry), thereby “revealing the impenetrability of ...